50 - 26 - Great Films

 

50. FORREST GUMP (1994) (Ed.) U.S.

Director: Robert Zemeckis

“My name is Forrest Gump. People call me Forrest Gump.” This line introduces us to one of the most iconic figures in movie history. This film was


49. RASHOMON (1950) Japan

Director: Akira Kurosawa


48. THE GREAT ESCAPE (1964) U.S.

Director: John Sturges


47. RAISE THE RED LANTERN (1991) China. / Ho. Ko.

Director: Yimou Zhang


46. TOY STORY 3 (2010) (Ani.) U.S.

Director: Lee Unkrich


45. SPARTACUS (1960) U.S.

Director: Stanley Kubrick


44. THE LAST OF THE MOHICANS (1992) (Ed.) U.S.

Director: Michael Mann


43. THE TRUMAN SHOW (1998)

Director: Peter Weir


42. THE ELEPHANT MAN (1980) (BST) (Bio.) U.S.

Director: David Lynch


41. THE PIANIST (2002) (BST) (Bio.) (Ed.) France / Pol.

Director: Roman Polanski


40. MR. SMITH GOES TO WASHINGTON (1939) (U.S.)

Director: Frank Capra


39. THE LIFE OF PI (2012) U.S. / Ind.

Director: Ang Lee


38. ANNIE HALL (1977) (Ed.) U.S.

Director: Woody Allen


37. STAR WARS: A NEW HOPE (1977)

Director: George Lucas


36. THE BEST YEARS OF OUR LIVES (1946)

Director: William Wyler


35. THE GENERAL (1927) (Silent) U.S.

Director: Buster Keaton


34. EMPIRE OF THE SUN (1987) U.S.

Director: Steven Spielberg


33. WEST SIDE STORY (1961) U.S.

Director: Robert Wise / Jerome Robbins


32. THE SEARCHERS (1956) U.S.

Director: John Ford


31. GONE WITH THE WIND (1939) U.S.

Director: Victor Fleming


30. PATHS OF GLORY (1957) U.K.

Director: Stanley Kubrick


29. THE PASSION OF JOAN OF ARC (1928) (Silent) France

Director: Carl Theodor Dreyer


28. THE GODFATHER (1972) (Ed.) U.S.

Director: Francis Ford Coppola


27. THE REMAINS OF THE DAY (1993) U.K.

Director: James Ivory


26. CINEMA PARADISO (1993) (Ed.) Italy / Fra.

Director: Giuseppe Tornatore

Hands down, this is the most nostalgic film about film nostalgia ever made. Through the eyes if a young boy, we experience the hopes, the dreams, even the heartache, of a famous director told in flashback. Training under the supervision of the theater manager and projectionist (Phillippe Noiret), we experience the ongoing conflict between the sensor’s scissors in deleting all love scenes including kissing. And what part does this lone movie theater play in the lives of this Sicilian village. You simply have to see the movie yourself. The ending is one of the most exhilarating in movie history.


 

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